00:04:59. Robbie Buchanan, Keyboards, Additional Programmer - Garry Glenn, Composer - OMAR HAKIM, Drums - Anita Baker, Executive Producer, MainArtist - Paul Jackson Jr., Guitar - Paulinho Da Costa, Percussion - MICHAEL J. POWELL, Producer, Guitar - Vernon Fails, Keyboards - David Bornuff, Additional Programmer Copyright: 1988 Atlantic Recording Corporation for the United States and WEA International Inc. For the world outside of the United States 1997 Atlantic Recording Corporation for the United States and WEA International Inc.
For the world outside of the United States. 2 Lead Me Into Love. 00:04:44. Robbie Buchanan, Keyboards, Additional Programmer - Steve Lane, Composer - OMAR HAKIM, Drums - Anita Baker, Executive Producer, MainArtist - Bobby Lyle, Piano - Paul Jackson Jr., Guitar - Paulinho Da Costa, Percussion - George Duke, Piano - MICHAEL J. POWELL, Producer, Guitar - Vernon Fails, Keyboards - David Bornuff, Additional Programmer - Larry Prentiss, Composer Copyright: 1988 Atlantic Recording Corporation for the United States and WEA International Inc.
Tax title and license calculator wisconsin map. For the world outside of the United States 1997 Atlantic Recording Corporation for the United States and WEA International Inc. For the world outside of the United States. 3 Giving You The Best That I Got. 00:04:20.
Robbie Buchanan, Keyboards, Additional Programmer - OMAR HAKIM, Drums - Anita Baker, Composer, Executive Producer, MainArtist - Paul Jackson Jr., Guitar - SKIP SCARBOROUGH, Composer - Paulinho Da Costa, Percussion - Randy Holland, Composer - MICHAEL J. POWELL, Producer, Guitar - Vernon Fails, Keyboards - David Bornuff, Additional Programmer Copyright: 1988 Atlantic Recording Corporation for the United States and WEA International Inc.
For the world outside of the United States 1997 Atlantic Recording Corporation for the United States and WEA International Inc. For the world outside of the United States. 4 Good Love. 00:05:32. Gary Taylor, Composer, Keyboards - Anita Baker, Executive Producer, Backing Vocals, MainArtist - Paulinho Da Costa, Percussion - MICHAEL J. POWELL, Producer, Guitar - Vernon Fails, Keyboards - Joseph Vitarelli, Contributor - Danny Lyle, Guitar Copyright: 1988 Atlantic Recording Corporation for the United States and WEA International Inc. For the world outside of the United States 1997 Atlantic Recording Corporation for the United States and WEA International Inc.
Anita Baker Giving You The Best
For the world outside of the United States. 5 Rules. 00:03:51. Maggie Ryder, Composer - Robbie Buchanan, Keyboards - OMAR HAKIM, Drums - Anita Baker, Additional Arrangement by, Executive Producer, Backing Vocals, MainArtist - Paul Jackson Jr., Guitar - Paulinho Da Costa, Percussion - Peter Schwartz, Keyboards - MICHAEL J.
Nicolae guta sapte minuni sunt pe lume zippy. Pentru alte melodii mp3 asemanatoare cu Nicolae Guta si Bebe Mondialu - Sapte minuni sunt pe lume acceseaza categoria manele.
POWELL, Producer, Guitar - Bruce Nazarian, Additional Programmer - Phil Nicholl, Composer - Graham Lamb, Composer Copyright: 1988 Atlantic Recording Corporation for the United States and WEA International Inc. For the world outside of the United States 1997 Atlantic Recording Corporation for the United States and WEA International Inc. For the world outside of the United States. 6 Good Enough. 00:04:49.
OMAR HAKIM, Drums - Anita Baker, Composer, Executive Producer, MainArtist - Gerald Albright, Saxophone - Paul Jackson Jr., Guitar - Paulinho Da Costa, Percussion - Sir Gant, Piano - MICHAEL J. POWELL, Producer, Guitar - Vernon Fails, Keyboards - James McBride, Composer Copyright: 1988 Atlantic Recording Corporation for the United States and WEA International Inc. For the world outside of the United States 1997 Atlantic Recording Corporation for the United States and WEA International Inc. For the world outside of the United States.
7 Just Because. Command and conquer 4 tiberian twilight trainer. 00:05:10. Robbie Buchanan, Keyboards, Additional Programmer - Alex Brown, Composer, Additional Arrangement by - OMAR HAKIM, Drums - Anita Baker, Executive Producer, MainArtist - Paul Jackson Jr., Guitar - Paulinho Da Costa, Percussion - MICHAEL O'HARA, Composer - MICHAEL J. POWELL, Producer, String Arranger - Sammy McKinney, Composer Copyright: 1988 Atlantic Recording Corporation for the United States and WEA International Inc. For the world outside of the United States 1997 Atlantic Recording Corporation for the United States and WEA International Inc. For the world outside of the United States.
8 You Belong To Me. 00:03:46. Terry Britten, Composer - Robbie Buchanan, Keyboards - Arif Mardin, Arranger - Patrick Moten, Keyboards - Carly Simon, Composer, Writer - MICHAEL MCDONALD, Composer, Writer - Anita Baker, Additional Arrangement by, Executive Producer, MainArtist - Billy Livsey, Composer - SONNY BURKE, Keyboards - Graham Lyle, Composer - Peter Schwartz, Keyboards - Joe Mardin, Contributor - Robbie Kondor, Arranger - MICHAEL J. POWELL, Producer - Dave Boruff, Saxophone - Neil Walker, Keyboards Copyright: 1988 Atlantic Recording Corporation for the United States and WEA International Inc. For the world outside of the United States 1997 Atlantic Recording Corporation for the United States and WEA International Inc. For the world outside of the United States.
The sizeable following that Anita Baker acquired with Rapture proved quite receptive to the only slightly less appealing Giving You the Best That I Got - an album that's quite similar to its predecessors. Though not quite on a par with The Songstress or Rapture, Best is far superior to most of 1988's uninspired R&B releases. Instead of tampering with Rapture's consistently romantic and mellow soul/pop approach, Elektra brought back that album's producer, Michael J. Powell, and kept her at the top of the charts with such sleek yet earthy fare as 'Just Because' (whose harmonies bring to mind producers Jimmy Jam & Terry Lewis, but lack the hip-hop elements they're quick to employ), 'Priceless,' the haunting 'Good Love,' and the title song. Much of Baker's music has contained jazz overtones, but on the Brazilian-influenced, slightly bossa nova-ish 'Good Enough,' Sarah Vaughan's influence becomes even more apparent - and indicates that she is making a tremendous mistake by not recording outright jazz.
Alex Henderson.
The sizeable following that Anita Baker acquired with Rapture proved quite receptive to the only slightly less appealing Giving You the Best That I Got - an album that's quite similar to its predecessors. Though not quite on a par with The Songstress or Rapture, Best is far superior to most of 1988's uninspired R&B releases. Instead of tampering with Rapture's consistently romantic and mellow soul/pop approach, Elektra brought back that album's producer, Michael J.
Powell, and kept her at the top of the charts with such sleek yet earthy fare as 'Just Because' (whose harmonies bring to mind producers Jimmy Jam & Terry Lewis, but lack the hip-hop elements they're quick to employ), 'Priceless,' the haunting 'Good Love,' and the title song. Much of Baker's music has contained jazz overtones, but on the Brazilian-influenced, slightly bossa nova-ish 'Good Enough,' Sarah Vaughan's influence becomes even more apparent - and indicates that she is making a tremendous mistake by not recording outright jazz. Alex Henderson.
Search and download from millions of songs and albums. All songs are in the MP3 format and can be played on any computer or on any MP3 Player. Live concert albums of your favorite band. Learn how to download music. EMD offers a premium experience that includes unlimited access to CD quality music.
The sizeable following that acquired with proved quite receptive to the only slightly less appealing - an album that's quite similar to its predecessors. Though not quite on a par with or, is far superior to most of 1988's uninspired R&B releases. Instead of tampering with 's consistently romantic and mellow soul/pop approach, Elektra brought back that album's producer, and kept her at the top of the charts with such sleek yet earthy fare as 'Just Because' (whose harmonies bring to mind producers, but lack the hip-hop elements they're quick to employ), 'Priceless,' the haunting 'Good Love,' and the title song. Much of 's music has contained jazz overtones, but on the Brazilian-influenced, slightly bossa nova-ish 'Good Enough,' 's influence becomes even more apparent - and indicates that she is making a tremendous mistake by not recording outright jazz.